Stone County Quilt Trail
Stone County is located in north central Arkansas in the Ozark Mountains. The county seat is Mountain View, “The Folk Music Capital of the World.” Please take a leisurely drive through our beautiful countryside and into Mountain View to see each quilt block in person. You’ll always find good food and music, people having fun, plenty of places to stay, and a hopping court square reminiscent of days gone by. Quilts and quilting have been a part of the culture here since the first settlers arrived. Every quilt has a story, bits of people’s lives, pieced and stitched into it. Likewise, each of our quilt blocks tells a story about the people and places that make Stone County special. Enjoy the stories shared here about each block. We welcome your comments at the bottom of the page!
#1-01 – Bear Tracks is located at the Don & Carol Adams residence at 6957 Luber Road, Mountain View, Arkansas. Park in the yard and go through the gate to see the two blocks on the barn. The other two blocks are on the house. Bear Tracks is the first of four blocks painted by owners Don & Carol Adams. The Adamses had two quilt blocks hanging on this barn before the notion of a Stone County Quilt Trail was conceived, so theirs has the distinction of being first. Carol Adams shares the story of her quilt blocks: Quilts, for my family, have always been very special. They were essential to warmth in the winter and they brought us, our family and friends, together as in a social community. On Sunday afternoons, after a large country meal, at my Grandmother’s, we would unroll the quilt and frame from the bedroom ceiling. Our storage place, that for daily routines was out of the way, yet handy to unroll as the group gathered. Our group included three or four generations. There was always much discussion of family news and family histories to learn of. I remember, as a child, sitting beneath the quilt, threading needles for the quilters. I felt like I was in a cozy cave with all my special family surrounding me. The chatter of the conversations above me was very comforting. Our quilts were always very traditional in pattern and fabrics used. We loved a quilt that had pieces of fabrics used in making our dresses. Looking for these special fabrics was truly a treasure hunt for us. Many memories came back from each fabric as it was discovered. One might say that our quilts were very utilitarian, and they were, but when snuggled under one or two of them on a very cold snowy night, they were beautiful, warm and cozy. All we could think of was the fuzzy warm memories of the love that was stitched into them. I still quilt today, but with my modern sewing machine. Some are art quilts that are very colorful and beautiful with many, many, many fancy stitches. I love to see them mounted on walls to decorate our homes or on display at county and state fairs. When I think about it, none of them will ever be loved as much as one we can actually sleep under that was handmade with the many stitches of a needle threaded by the younger members and handed off to the generations of stitchers around the quilt. Now, I enjoy painting and showing my Barn Quilts. There are four on our property. Two are mounted on our old barn. The one pictured above is eight foot square and is called Bear Tracks. This design is over one hundred years old. The one pictured below is called Windmill. This pattern was chosen because of the continual wind that blows on our mountain. These two have been up for more than a decade.
#1-05 Front Porch Memories is five miles south of the court square at Mountain View. The name was chosen to honor the Ozarks tradition of visiting with family and neighbors on the front porch. Many tales have been spun, family lore shared, and homemade pie enjoyed on front porches. The barn quilt was constructed and painted by Glenda Osten with later color modifications made when the barn was painted red. Jennifer King and family, from Cleveland County, bought this large farm in 2015 to satisfy her dad’s yearning for his own place in the mountains. As kids, Jennifer and her sister, Tammie, spent several road trips a year in the Ozarks. Her dad, James Via, age 83, has bought and sold real estate as well as been a contractor, building homes and apartment buildings since the 1960’s and is still at it. They make frequent visits to their second home in Stone County. Sugar Hill Ranch hosts a homestead conference each year and the semi-annual “Junkin on Sugar Hill” which features vintage & vintage inspired, handmade & homemade, antique & boutique. They also host barn weddings and other events upon request. Now for a little history about Sugar Hill…How did Sugar Hill get its name? Native Burlean Blackwell related a story she had been told that a Mr. & Mrs. Young who lived up Sugar Hill had seven daughters. When the girls reached dating age, the guys from Mountain View began dating them, and the young men dubbed the place “Sugar Hill.” There’s also a landmark up the gravel Sugar Hill Road. About one mile on the right is a rock bench. It has a sign that says “Sugar Hill Historical Resting Rock.” In the days before automobiles, residents from Sugar Hill walked to the general store out near the old Richwoods School House on Highway 9. It was a hard climb on the return, toting their provisions up the hill, and they needed a place to stop and rest. Sugar Hill is part of the West Richwoods community which was among the earliest settled, long before Stone County was formed.
#1-06 Music Warms the Heart quilt block is owned by Hannah Dyke and was painted by Glenda Osten. Hannah chose this pattern as a tribute to early settlers. She shares: “The early settlers arriving in this area met many challenges. The one thing they had in common was the sound of music. Neighbors gathered in homes, barns, and outside for entertainment — singing and dancing their troubles away. This block is a tribute to their lives and determination to develop a better place for their families.” Indeed, folk music is the biggest draw for visitors to the area and is an endearing and enduring heritage that is being preserved.
#1-07 and #1-08, The Union and Confederate Star barn quilts hang on the Rodney and Angalee Rushing barn at 624 Highway 9, Fox, Arkansas, in the Rushing Community near the Stone/Van Buren County line. Parking available on opposite side of highway. The two quilt blocks each feature a different star. The north-facing quilt square is the Union star, painted by Glenda Osten and the south-facing quilt square, painted by Philip Carr, is the Confederate star. The quilt blocks are a tribute to Rodney’s paternal great-grandparents who moved to Rushing in the early 1870’s. The Confederate Star is in memory of John Weaver Hinkle and his wife, Lucy Kenner Hinkle, who moved from Alabama and built the log cabin which still stands near the county line. Their eighth child, Dan, was born in the cabin in 1876. John Hinkle was a confederate soldier and fought in numerous battles including Murfreesboro and Chickamauga. On the north side of the barn, the Union Star quilt square is in honor of Ephraim Owen Rushing and his wife Basha Elizabeth Holland Rushing. The Rushings were part of a of six-family wagon train that moved to Fox Mountain from southern Illinois in 1872. The other families were Harper, May, Branscum, Broyles, and Holland. Ephraim O. Rushing was a Union soldier and fought in the Siege of Vicksburg. Once the Rushing and Hinkle families moved to Arkansas, they lived just one mile apart. A Hinkle daughter and a Rushing son, Phillip Malanthy Rushing and Nioma Hinkle, married in 1888 and are Rodney’s grandparents. Rodney’s parents told him that the two families did not talk about the Civil War. Likely it was such a sensitive subject with the men fighting for opposing sides that they believed it best to move on and leave it in the past. The barn on which these quilt squares hang was built in the late 1940’s by Clarence and Winnie (Rushing) Hinesley with their young sons Carson and Wendell. Rodney and Wendell Hinesley narrated a story about their Hinkle great-grandparents that is found on YouTube.com/FoxArkansas or by searching “John & Lucy Hinkle Homestead.”
#1-09 Log Cabin quilt block. Located at 1032 Park Avenue, Mountain View, Arkansas at the Ozark Folk Center State Park. This barn quilt depicts a log cabin quilt block, a quilt pattern that became popular after the American Civil War as sewing machines became common. This block is simple to piece, preserves fabric from old clothing, creates a practical item, and provides unlimited design possibilities. In the Ozarks, the log cabin quilt blocks often featured a red square in the center, representing the heart and hearth. The heart square in the center of this barn quilt block holds the logo of the Ozark Folk Center State Park, and the young people of past and future. The fabric of each piece of the log cabin block was painted by a dedicated group of volunteer artisans. The design grew organically from the basic pattern of the log cabin block to show every aspect of the park. Look carefully and see crafts, music, herbs, gardens, instruments, artistry and elegance, painted by hand, in a complete picture of a log cabin barn quilt block. The Ozark Folk Center State Park is like the log cabin block, a simple place of buildings created to showcase the heritage of the Ozark people. Like the log cabin quilt block, this park has taken that design and grown into a community that allows creativity in craftsmanship and music to flourish. Many hands worked to make this block, including Troy Odom, printer; Dona Sawyer, glass artisan; Tom Wier, knife maker; Rachel Mathews, copper flame painter; Jennifer Whitman, fiber artist; Bob Nichols, carpenter; Linda Odom, apothecarist; Melody Conatser, basket weaver; Summer Woodsong, wood carver; Robin Woodsong, wood carver; Judi Munn, potter; Dick Augustine, engineer; Danny Shepherd, jack of all trades; Donna Nichols, design artist; Sandy Gonzales, artist; Ray Stafford, teamster; Janice Clark, leather worker; Jeanette Larson, shepherd; and John Morrow, Superintendent, Ozark Folk Center State Park. The mission of the Ozark Folk Center State Park is to perpetuate, present and promote the Ozark way of life in an educational and enjoyable manner through craft demonstrations, musical programs, the Heritage Herb Garden, workshops, and other special events.
#1-10 McEntire Family Block, located in a neighborhood near the Sylamore bridge. It was painted by Jay and Margaret McEntire and placed on their home which sits next to the beautiful White River. Easy paved entry and exit from the residence to view it. The two flags represent this family’s U. S. Patriotism and is a tribute through our SAR and DAR memberships and to our family ancestors that served as patriot soldiers in the American Revolution.The trees and paw prints symbolize our commitment to preserving natural places and to protecting the environment. This also includes restoring historic buildings and planting trees and native grasses, on over 400 acres…and counting! (Side note: Jay is the only person in the world that has been given permission by the Brazilian government to pull logs out of the Amazon River and it’s tributaries. We did this for many years. He was a board member of the Rainforest Preservation Association that, to date, has saved over 8 million acres of land. This group was led by Don Davis, a Brazilian missionary for most of his life.)
#1-11 Arkansas Crossroads. The Arkansas Crossroads Block was first printed in the Kansas City Star in 1941. Betty Woods shares: I chose this block for the Dulcimer Shoppe because of our location in Mountain View. You turn north at the crossroads of Highways 5, 9 & 14 to find us. The Dulcimer Shoppe was founded by Lynn & Mary McSpadden along with Lynn’s brother Larry in 1962. At that time they were living in Forrest City, Arkansas. They moved the production to Mountain View in 1972 and built a larger building in 1975 which is the current location. We have manufactured over 60,000 mountain dulcimers and have approximately 120 dealers in the United States and overseas. Jim & Betty Woods purchased the Dulcimer Shoppe in January, 2001 after moving to Arkansas from Texas. Mountain View is home to the Ozark Folk Center, Folk Festival in April, Bean Festival and Outhouse Races in October as well as wonderful music shows year around. There is always music on the square.
#1-12 Swirling Leaves at 2829 Highway 87, Mountain View, Arkansas is on the residence of Donna & Bob Nichols. Located 4 miles from Mountain View’s City Hall. The residence has a nice semi-circle drive for easy entry and exit from Highway 87. Donna’s mother, Karen Walk, painted this block as a Christmas gift a few years back. Karen is a former Stone County resident who now lives in Wichita County, Kansas. Donna estimates that her mother has painted about 150 barn quilts over the years. She’s obviously a key contributor to that county’s claim to fame as the Barn Quilt Capital of Kansas. The Swirling Leaves quilt block has special meaning to Donna since it is a reminder of her mom’s creativity and work ethic. Karen selected the pattern for Donna because of the beautiful hardwood trees in Stone County.
The Bread Basket quilt block is found in the Turkey Creek community. A few years ago, the Kennon family purchased the farm from Viola Schlabach who had lived and worked there with her husband, Earl, for 40 years. They raised their 4 children in the rock and cedar shake home they built together as a family. The Kennons are honored to be able to continue the small farm tradition by raising livestock on the farm again. The four baskets symbolize the two families’ four children. Austin Kennon is the Agriculture Science teacher at Mountain View School and Amber works on the farm and home-schools their four children. Both are passionate about teaching and encouraging young people. They enjoy working with the FFA and 4-H kids in the community. The Kennon children are active members of Stone County 4-H and enjoy raising, training and showing livestock, as well as gardening and community service projects with their 4-H Club. When looking for a pattern for their block, Amber came across the bread basket and knew that this was “the one.” Mrs. Viola was always gifting her delicious, made from scratch, cinnamon rolls and bread. She and Earl were well known in the community for their kindness and service to others. Amber said, “I was so blessed to have childhood memories of them both, and to again get acquainted with Mrs. Viola and her family during the process of buying the farm. Mrs. Viola has moved to Virginia to be closer to many of her children, grandchildren and great grandchildren but I wanted our block to honor her and the time that she and her family spent in this community.”
The Crazy Quilt pattern reached the peak of its popularity from 1890-1910. Local artist Kay Thomas designed this pattern to be representative of crazy quilts of the area, some of which are on display inside the building in the Stone County Museum. The technique involves using scraps to piece blocks, then embellishing to show off embroidery skills. It was a way to turn leftovers into masterpieces. Crazy quilts often made use of woolens and silks and were tacked, without batting, instead of quilted.
Kay is an avid quilter and designed the quilt display at the Stone County Museum as well as a pictorial quilt calendar featuring quilts in the museum and around Stone County. The process of making the quilt block starting with Kay sketching and coloring it on paper, then transferring the line drawing to the board which was set up on saw horses in the auditorium of the building. Kay taped off the sections and we had a painting party with Young Single Adults from the Searcy Stake of The Church of Jesus Christ of Latter-day Saints painting the large sections. Kay came back, adding a few artistic embellishments at a time over a several day period until arriving at the final creation. The 6’x6′ quilt block was installed by Philip Carr and John Thomas on May 2, 2017.
Inside, the Stone County Museum has a collection of about 12 quilts on display. One of the crazy quilts was donated by Edwin Luther. It belonged to his grandmother, Dessie Jones, who married Dr. J.E. Luther. Family tradition says it was a wedding gift from the Wolf family of Norfork. The museum houses Stone County artifacts dating from the late 1800’s to 1940’s. The Freda & Loy Massey Research Room contains many family histories in binders as well as other local research materials. The museum and research room are open to the public at no charge from mid-April to mid-October on Thursday, Friday, and Saturday from 1:00pm-4:00pm.
The Edwin Luther Auditorium is available for rentals and hosts the quarterly Stone County Historical Society meetings and other programs. The Historical Society publishes Heritage of Stone twice a year which is provided at no additional charge to members from their $20 annual dues. Copies may be purchased by the public at the museum or at Lancaster Hardware Store on the court square. To become a member of the society, mail dues to PO Box 210, Mountain View, AR 72560
The Country Patriotic Flag was chosen to honor the many men and women of Stone County who have served in the U.S. military. Names of those who gave the ultimate sacrifice of their life are inscribed on the memorial in front of the courthouse facing Main Street. The quilt block hangs on the stone building housing the Stone County Veterans Affairs Office.
Men and women from the Stone County Honor Guard spend many hours volunteering their time at funerals, parades, and programs throughout the year. For more information about their services, visit http://www.stonecountyhonorguard.org/. The Stone County Veterans Affairs Office is open on Tuesday and Wednesday from 8am to 4:30pm and on Thursdays from 8am to noon. William Lynn Stroud is the Veterans Services Officer and welcomes veterans to contact him at 870-269-4277.
The building on which this quilt block hangs was formerly the county jail. Interior walls have inscriptions from former prisoners who wished they were elsewhere.
This quilt block had many hands working on it. Philip Carr sketched the design onto the board. Young Single Adults from the Searcy Stake of The Church of Jesus Christ of Latter-day Saints painted it on Saturday, April 22, 2017. John Thomas added the border a few days later. The block was installed by Philip Carr on May 2, 2017.
The Schoolhouse pattern was chosen to honor the history of this one-room school that was built in 1925 and educated many students over its 22-year existence as a school. It was later used as a church, community center, and polling site. Today it is only used for special programs and an occasional wedding. The Schoolhouse block was the sixteenth block added to the Stone County Trail, a case of serendipity. The number 16 has historical significance to public schools in our nation’s early days when the sixteenth section of land was reserved for public schools.
The Turkey Creek School is owned by the nonprofit organization Rural Educational Heritage Inc. In 2016, volunteers from the organization put a new roof on the building which had served it for 92 years. They also scraped off old paint, and added a fresh coat of white stain to the exterior. It sparkles again and, hopefully, is good for another 90 years!
Mrs. Elsie Compton was one of the teachers at Turkey Creek. At age 101, she and some of her former students were filmed at the Turkey Creek School, talking about their school day memories. Watch the video on the FoxArkansas Youtube channel at https://youtu.be/mI9y3WqOyOk. Mrs. Compton provided another interview at age 100 in which she talked about teaching in one-room schools. https://youtu.be/ful0-Ub2fhM. A youth band performed folk music on the steps at an event in 2013. https://youtu.be/AU55-dgbV0A
In 1924 Altha Hinesley (Green) taught a summer term in the George Green house and was supposed to finish the school year after harvest in the new building. However the building was not completed until the first of the year in 1925. As a result the first classes in the new building were begun in the winter time with a little “sheet iron” stove in which they burned tie “juggles” for wood. Water was carried from a spring. A well was dug later. Grades one through eight were taught. This was typical of the one-room schools.
Mrs. Green reported that she had some nice big charts for teaching the “ABC Class.” The blackboard that is in the building now was that one that was originally used. Ruby Morris Berry told of Mr. Robert Hawkins building desks and seats for the school out under the shade trees while school was in progress. Coleman Morris also remembered that George Green and Robert Hawkins were hired to build the school house. Jeff Morris cut wood for the fire and would deliver it on Fridays so he could hear his children’s recitations.
Boys sat on the left side of the one-room school and used the door on the left side of the building. The boys’ outhouse was in the edge of the woods on the left side. Girls sat on the right side of the building and used the door on the right side of the building. Their outhouse was located on the right side of the grounds. As a student left the school room for the outhouse, they laid their book in the door way so other students would know to wait their turn.
Some of the directors of the Turkey Creek School were: Sam Duncan, Luther Green, Harrison Berry, Jeff Morris, Logan Berry, Malone Morris, Coleman Morris, and Leland Branscum.
After World War II, bus transportation became available in the area and Rural Special School with grades 1-12 was built to accommodate students from a wider area. In 1947 the Turkey Creek School consolidated into Rural Special School, located about four miles away.
The Schoolhouse Quilt Block was sketched by Philip Carr and painted by Young Single Adults from the Searcy Arkansas Stake of The Church of Jesus Christ of Latter-day Saints.
#1-17, The Dresden Plate is located at 106 E. Washington on The Meeting Place building at the parking lot of the Wildflower Bed & Breakfast, NE corner of Court Square in Mountain View. The dresden plate pattern was introduced in the 1920’s and quilts of this design provided a splash of color during the Great Depression in the 1930’s. The pattern is alternately known as Friendship Ring, Aster, Dahlia, and Sunflower. Chris and Shelley Smith are the owners of the Wildflower Bed & Breakfast, a 100-year old structure originally known as The Commercial Hotel. The Smiths built the Meeting Place at Mountain View on the back lot of the B&B to provide a place for friends to gather for showers, parties, contra dances, musicals, etc. An old-fashioned quilting bee would also work nicely in the spot. The Smiths are recent transplants to Mountain View and are wholeheartedly contributing to the preservation of folk music, beautiful spaces and their historic building. Stay tuned for another quilt block to commemorate the 100th anniversary of the Wildflower B&B in 2018! The Dresden Plate quilt block was constructed and painted by Barn Quilt Artist Glenda Osten, her fifth quilt block creation, all located in Mountain View.
#1-18, Ozark Country Inn block is at 219 S. Peabody St in Mountain View, within sight of the historic courtsquare. This original quilt block design is named for the historic home it adorns which now serves as a Bed & Breakfast called Ozark Country Inn. It is a tribute to the long history of families who have lived and loved God and country. The builder and owner of this 1906 home, Hamilton S Mabry Sr., also owned a stave mill (sawmill) in Mountain View. He helped to form the Farmer’s Bank around 1914 and served as President and Winfred Rosa as cashier. Later the bank was changed to the Bank of Mountain View. He and his wife Hallie had six children. It has been said that in all of the county Mabry had the most kin serving in the military, 14 in all. One of his sons, Tom died in WWII. Hamilton S Mabry Sr. also served as county judge from 1927-1928. His son Hamilton S Mabry Jr. was a Navy Seabee and was wounded in Okinawa in WWII. He managed a sawmill and became V.P. of the bank. He married Myrtle and they had a daughter Betty Anne.
Nathaniel Coleman Maxey and his wife, Seddie Franks, had 2 daughters, Faye Nellie and Maye Lola, and lived in the home. He was a family practice doctor and delivered many of the children in Stone County. One lady who lives in Mountain View said her daddy paid Dr. Maxey a chicken for delivering her. Dr. Maxey came from a long line of physicians, he being the 4th generation. He is buried in Flatwoods Cemetery and his family still lives in Stone County.
Today’s owners, Leonard and Debbie Jadrich, have a motto for the inn: “making friends and memories”. Past and present owners have been leaders and servants in the community, attended church, believers in God, served our country and continue the hospitality to all who come to the Ozark Country Inn. The Jadrich’s goal is that visitors will have a B & B experience even better than their own home.
Block #1-19, the Unfolding Star, hangs on the Fox Community Center at 16262 AR-263, Fox, AR 72051. Painted by Philip Carr with embellishments chosen by Renee Carr, it’s a tribute to Fox musicians, local veterans, and long marriages. It’s sponsored by Rural Educational Heritage Inc.
The center of the block features a fox paw print to recognize the name of the town, established officially in 1905 when the post office became known as Fox. This also became the name of the unincorporated community. The golden wedding bands at each corner represent the “Golden Wedding Wall” inside the community center that has over 100 photos of couples who’ve reached the 50-year anniversary milestone. The white stars on blue background represent the 240 veterans from the Fox area who are pictured and surround three walls of the community center, honoring the contributions of our U.S. veterans.
The musical instruments painted on the block: guitar, mandolin, banjo, and fiddle are a tribute to the homegrown folk musical talent which has come from this mountain community over the last century and has influenced many beyond Fox Mountain. The Scotch-Irish influence from the early settlers who came from the southern U.S. is found in the Ozark Mountain folk music.
Floyd Holland, born 1891, was a self-taught banjo picker. He lived to be 95 and was an early banjo player and singer at the Ozark Folk Center and performed at the first Arkansas Folk Festival in 1963 at the music event in the high school gym. Today the banjo tradition is kept alive on Fox Mountain by the talented Darrell Barnett. Though his roots are in Shirley, he had the good fortune to marry a great-granddaughter of Fate Morrison who also made his musical mark on the community.
Brothers David Jackson Lafayette “Fate” Morrison (b. 1905) and William “Willie” Morrison (b. 1907) descended from early settlers in the Meadowcreek valley and Fox. The fiddle playing brothers helped preserve the folk music heritage of Stone County. At this link you can listen to their old-time fiddling with guitarist Seth Mize playing Wednesday Night Waltz. https://www.slippery-hill.com/recording/wednesday-night-waltz-0 Throughout the 1960’s and early 1970’s, the three joined with Timbo neighbor Jimmy Driftwood playing for audiences all across the country, bringing an awareness of folk music and Stone County that would help pave the way for the Ozark Folk Center to launch in 1973.
A folk music band from Fox performed at the 1972 inauguration of Richard M. Nixon. Willie and Fate Morrison played fiddle, Otis Johnson played guitar, Harlie Dampf played banjo and Willie’s son, Glenn, played mandolin. Glenn chuckles at the memory of this group of mostly Democrats playing at the inauguration of a Republican president.
It was customary over the years for Fox community members to socialize by attending “Play Parties.” A couple would host the gathering at their home, and visitors came with their musical instruments. The jam session would last for hours. Lonnie Lee (b. 1926) and his wife, Neda (b. 1928) made their home in Lonnie’s native Fox after their marriage in 1945. He was a logger and sawyer. Local performer Dave Smith credits the Lee’s hospitality with their Saturday night musicals for providing the setting where he could learn to play the old-time folk instruments and learn songs when he moved here as a 20-year old in the 1970’s from northern Illinois. Lonnie played the guitar and was happy to teach others.
Dave Smith was an attentive student and became a talented musician, playing guitar, fiddle, mandolin, banjo, and accordion. He is a guest performer and sometimes Master of Ceremonies at the Ozark Folk Center. Over thirty years ago Dave and his friends, Robert & Mary Gillihan, formed a band called Harmony that is still performing. True to their name, their vocals are harmoniously beautiful. Perhaps Dave’s most important contribution is sustaining the Ozark Mountains folk music by teaching Rural Special School students to play folk instruments through the Music Roots program. Dave is also the host of the weekly Ozark Highlands Radio show which broadcasts folk music programs throughout the world. Listen to an August 2018 interview of Dave Smith http://www.hppr.org/post/interview-dave-smith-ozark-highlands-radio
Jeff Glover of Fox is the producer of the Ozark Highlands radio show. Jeff and his wife Tracy, with their children, Fox and Rori, make up the Glover Family band that graces the Ozark Folk Center stage and other venues around the region. They have a very upbeat jazzy sound, with Fox on guitar and Rori on bass, and some numbers featuring Jeff’s muted trumpet. They play favorites from the 1920’s-1950’s era, and their tight harmonies really take you back in time for an enjoyable experience.
There are also bagpipers on Fox Mountain. Glenn Morrison, son of the aforementioned Willie Morrison and Laura Cummings Morrison, learned how to play bagpipes after his retirement from teaching school. Another bagpiper, Cindy Chiodini, moved to Fox Mountain in 2000 and learned to play the bagpipes. She is a volunteer with the Stone County Honor Guard and performs at countless parades, events, and for funerals of veterans.
The Fox Mountain Bluegrass Band played and sang for almost two decades with members including brothers Bill and Corbet Bonds, Scott Branscum, Benny & Kathy Morrison Kocher, their daughter Carla Kocher Barnett with Carla’s banjo playing husband, Darrell Barnett. Occasionally they are joined by singer Bethany Barnett. Otis & Patsy Stevens of Alco were with the group in the early days.
Finally, gospel music has had a strong presence and influence around the Fox community. From the 1930’s through 1970’s many residents, both youth and adults, attended singing schools and learned to recognize and sing shaped notes. With nine churches on the mountain, a wide-variety of songs and music can be enjoyed today from acapella style to quartets, choirs, soloists, bands, piano, and even one saxophone-playing pastor. You might hear I’ll Fly Away or Just a Little Talk with Jesus mixed in with some more contemporary gospel songs at Sunday morning worship service.
#1-20, Sunbonnet Sue hangs on Aunt Minnie’s Yellow House, at the NW corner of the Stone County Court Square, 116 Howard Avenue in Mountain View. It is a 4’x4′, painted by Glenda Osten. Proprietor Jana Wickham, owns and operates Aunt Minnie’s Yellow House but it is a three generation undertaking with her son and her mom, Pat Cash, a.k.a Aunt Minnie playing key roles. Jana’s family on both her mom’s and dad’s side have very deep roots in the town of Mountain View and Jana enjoys keeping tabs on all that through genealogical research and recording family history. Aunt Minnie’s Yellow House has become an iconic fixture anchoring the northwest corner of the square. It’s yard is a haven for pickers and grinners and this Sunbonnet Sue is ready to jam with her fiddle. There is a lot to write about Sue – she’s been around for quite some time. Quilt blocks of Miss Sunbonnet began showing up as early as the 1800s, but popularity with crafters only began to grow after the publication of the Sunbonnet Babies Primers in the early 20th century.
Bertha Corbelt and Eulalie Osgood Grover (what a name!) teamed up to teach children how to read through illustrated anecdotes about Sunbonnet Sue, Fisherman Fred and Suspender Sam. Teachers, parents and children fell in love with Sunbonnet & Co. due to her sweet temperament, wholesome vignettes of everyday life and that adorable ever-present bonnet. In a nutshell, Sue was the 20th century Elsa. Sunbonnet Sue has definitely had staying power! Aunt Minnie’s Yellow House gift shop is a destination in itself, carrying kitchenware, splatterware, clothing, jewelry, t-shirt screen printing, monogramming, and the list goes on. Take a look at AuntMinniesYellowHouse.net.
#1-21, The Berry-Morris Star, located at 13731 Highway 263, Fox, AR, was made in honor of the Berry and Morris families. In the early 1900’s two families homesteaded neighboring farms on Turkey Creek in southwest Stone County on what today is called the Coleman Morris Road. Logan and Goldie (McMullin) Berry had twelve children who helped milk and care for their dairy cows and farm. Jeff and Gertie (May) Morris had eleven children who helped in their Dad’s mercantile store as well as gardening and farming. It was inevitable that a romance would develop between some of the neighbor children as they grew up. As Ruby Morris Berry liked to relate, “Aubrey jumped the rock fence between our farms and came calling!” Aubrey and Ruby married in 1938 and soon began their own family that would grow to eleven children.
The names of the Berry and Morris couples are painted in the center yellow star of the quilt block as anchors of the family. The names of Logan and Goldie Berry’s children are painted in the twelve outer points of the navy star, starting with the eldest, Olvie (Finch), at center right and going clockwise around the star in birth order with Aubrey (Berry), Oval (Chambers), Albert (Berry), Silas (Berry), Edith (Johnson), Thomas (Berry), Wilma (Holland), Evelyn (Johnson), Lila Belle (Sutterfield), Jimmy (Berry), and Marie (Barnum). The names of Jeff and Gertrude “Gertie” Morris’ children are painted on the inside of the navy star starting with the eldest, Malone (Morris) at center right and going clockwise by birth order with Ola (Finch), Celia (Ivy), Retha (Hastings), Elsie (Compton), Coleman (Morris), Edith (Johnston), Genevieve (Copeland), Ruby (Berry), Cleo (Morris), and Loyce (Ackerman).
Aubrey, born 1914, was industrious and found ways to involve his growing family in making a living while Ruby stayed busy caring for the children, cooking, and sewing their clothes. Aubrey began working in the timber for Eppes Mabry of Mountain View and after a few years began buying his own tracts of timber to harvest, moving his family to Roodhouse, Greene County, Illinois for several years while he worked there. He always moved his sawmill to the worksite. Turkey Creek drew them back home where they farmed and Aubrey continued in the timber until another kind of harvest called them to east Arkansas where they began working in the cotton fields around Blytheville. Aubrey and Ruby sharecropped and the girls picked cotton and were fast pickers! Turkey Creek called them back just in time for their eldest daughter, Angalee, to finish school at Rural Special School where all eleven children would attend. By this time Aubrey and Ruby had moved to a house across from the school near Fox.
More work opportunities would call them away. They loaded up the family and headed north to Michigan to work in the cherry harvest in 1951. They made a stop at Michigan Blueberry Growers Warehouse where, because of their young children, they were told, “You need to be picking blueberries!” They arrived at the Kiel Blueberry Farm where the owner looked inside the car and seeing the carload of children said, “Lord-a-mercy!“ He hired them on the spot. That started a tradition that lasted 20 summers, from 1951 to 1970 as the Berry family made the trek north to Grand Haven, Michigan each June where Aubrey worked as a field boss for the Kiel’s and continued after the Reenders family bought the blueberry operation. He and Ruby and all eleven children picked blueberries until it was time to return home for school each fall. The kids were especially good pickers and liked to compete with one another on production.
The names of Ruby and Aubrey’s children are painted on the inside of the outer diamonds of the quilt block, starting with the eldest Angalee (Rushing) at top right, and going clockwise in birth order: Gearldee (Dodd), Shirley (Sutterfield), Dayle (Bonds), Gayle (Morrison), Janice (Miller), Deloris (Brewer), Faye (Rushing), Jay (Berry), Randy (Berry), Marty (Berry). Their spouses’ names also appear in the diamond along with their children’s name at the outer tip of the diamond. This completes a four-generation chart for the family. The quilt block is an especially fitting tribute since Ruby hand-pieced and quilted many quilts over her lifetime. She made quilts for 32 grandchildren upon their graduation from high school.
Spending 20 summers in Michigan would inevitably lead to another romance as the Berry children grew up. That’s what happened when Jay Berry married Judy Reenders and persuaded her to move to his home in Fox, Arkansas. They brought along with them experience in growing blueberries and were among the earliest growers in Stone County. Their four children Brian, Adam, Tonya, and Brittany were all involved in the family operation.
The quilt block was designed by Renee Rushing Carr, a granddaughter of Aubrey and Ruby Berry, who is an avid genealogist. The block was painted by her husband, Philip Carr, with names added by Renee. The artistic elements of cotton boll, blueberry cluster, saw, and logging truck in each corner were painted by Scott Miller, a grandson of Aubrey and Ruby, to represent the family’s work ethic. The quilt block is located in the yard of Jay and Judy Berry where antique machines are also on display including an antique road grader that was used to improve the road (now Highway 14) between Mountain View and Batesville in 1924, a Fordson tractor, a two-bottom horse drawn plough, and a horse drawn two-row planter. They ask that visitors pull into the driveway to view the block and to turn around on the grass before leaving since backing out on the highway can be dangerous.