#2-01 Dogwood Blossom is located in the Harriet community, at 544 Cozahome Road, Marshall, Arkansas. Painted by Jack Benefiel, the six foot by six foot quilt block is on the barn at Dogwood Hills Guest Farm of Harriet, not far off of Arkansas State Highway 14. Dogwoods are one of the prettiest small trees in the Ozarks with beautiful white blossoms during spring and very nice foliage in autumn as well. Dogwood Hills Guest Farm has a three-bedroom private farmhouse with a deck and a hot tub and beautiful views. A working farm with 72 acres of hiking trails just minutes from the Buffalo National River. They also offer family farm tours and monthly farm-to-table dinners. More info at https://www.facebook.com/DogwoodHillsBB/
#2-02 Apple Blossom is located at 4533 Highway 66, Leslie, Arkansas…between Oxley and Leslie. Painted by Jack Benefiel with pattern supplied by the Searcy County Quilt Guild. The six foot by six foot quilt block is on a barn owned by Mike and Janie Crow. Mike is the 4th generation of his family to farm there. The location is on a working cattle farm but near the old Elberta Fruit Farm that no longer exists. In the early 1900s there were thousands of peach, pear, and apple trees in the area.
#2-03 Crossroads quilt block hangs at 103 Oak Street, Leslie, Arkansas. Painted by Jack Benefiel with pattern supplied by the Searcy County Quilt Guild. The six foot by six foot quilt block is located in historic Leslie at “Antiques And” near the intersection of Arkansas State Highway 66 and US Highway 65. The Leslie downtown is a Commercial Historic District. This crossroads town of less than 500 residents harkens back to a bygone era of Americana. A railroad spur, the Dinky Line, once hauled mighty white oak timber from the hills to the world’s largest barrel making factory in Leslie in the early 1900’s. Today Leslie is home to antique stores, shops, multiple parks, restaurants, and a wood-fired brick oven that produces Old World Sourdough Bread. A motorcycle route, the Leslie Lasso, and a gravel grinder bicycle route called Ozark Grinder Trail transit Leslie.
#2-04 Mariner’s Compass adorns the Gilbert General Store at 100 Frost Street, Gilbert, Arkansas. Painted by Jack Benefiel and Kathy Bergeron. The historic Gilbert General Store is a short walk from the Buffalo National River where thousands of “mariners” in canoes, kayaks, and rafts journey along America’s first national river. The Gilbert General Store, built in 1901, is listed on the National Register of Historic Places under the name Mays Store. The community was founded in 1902 and today is a resort town known as the “Coolest Town in Arkansas,” in part due to its cold winter temperatures. The proprietors sell provisions and supplies; rent cabins, canoes and kayaks; and provide shuttling for river excursions. GilbertStore.com
#2-05 The Berry Shed quilt block is at 200 West Fair Street in Marshall, Arkansas. It was designed by Darryl Treat and Kathy Bergeron and painted by Kathy Bergeron. The six foot by six foot quilt block is on the end of the old berry shed in Marshall just off of US Highway 65 and captures the rich agricultural history of Searcy County that was once known as the “Strawberry Capital of the World.” The Flintrock Berry Growers Association produced some of America’s cleanest strawberries during its heyday from the 1950s till the 1970s! Peak production of strawberries in Searcy County was 1958. That year there were 643 members with 2,240 acres of berries being grown. The berry shed standing today was built in 1949. A second shed was constructed in 1956 to the west of the current building. That building was destroyed by fire several years ago. The berry shed also was home to a vibrant green tomato industry and today lives on as a venue for the Searcy County Farmer’s Markets. Find info at Facebook.com/SearcyCountyFarmersMarket
#2-06 Oak & Reel quilt block is found at 6861 Highway 27 North, Marshall, Arkansas. It was designed by Darryl Treat and Kathy Bergeron and painted by Kathy Bergeron. The six foot by six foot quilt block is located on a barn between Morning Star and Harriet along Arkansas State Highway 27. The quilt block depicts the leaves of the Southern Red Oak. Hardwoods, and oaks in particular, make up much of the Ozarks forest. The timber logging industry has been vital to the Searcy County economy for more than 100 years and local sawmills are still in operation near this quilt block.
#2-07 and #2-08 Bowtie and Pinwheel quilt blocks at 2146 Old Highway 66, Leslie, AR 72645. Located two miles from the Highway 66 Country Mart in Oxley on the Ozark Grinder Trail bicycle trail. The barn was built in 1950 by Odie Paxton, current owner Luther Branscum’s grandfather. Oak trees were logged and milled on site to build the barn. Janice Branscum, Luther’s wife, made the frames and painted the quilt blocks. Each are four by four feet. Luther’s family has owned the farm, Tick Creek Farm, since the 1800s. Tick Creek Farm is still in operation as a working cattle farm. Tick Creek runs across the road from the barn. Hay is still stored in the barn.
#2-09, A modified “At the Depot” quilt block was chosen by the St. Joe Depot Railroad Museum at 110 US Highway 65 in St. Joe. The block is five feet by five feet and was painted by Cynthia Garmoe. The Missouri & North Arkansas (M&NA) Railroad began about 1895 from Missouri to Eureka Springs, Arkansas. With that success, the railroad was built to the town of Harrison. At that time the owners of the railroad saw a need to extend on farther southeast and eventually to the Mississippi River at Helena, Arkansas. The railroad came through Searcy County in early 1900 and St. Joe in 1902, the year this depot was built. This was a very big event for each town to get a railroad stop and a depot, bringing increased economic prosperity and population growth. After World War II there was less need for the ore Searcy County was producing. There were also better roads with larger trucks. Another railroad strike was also a factor in the closing of the railroad, which came in 1946. After which, the rails were taken up and the steam engines were scrapped. However, the depot buildings were spared. The almost 120-year old St. Joe Depot is still standing today. In about 2009 the Mayor of St. Joe, the late John B Henley, was successful in purchasing and repairing the rundown old depot building. The depot was restored more than 96% to original condition, down to the colors. Today the Historic Railroad Depot Museum is operated by volunteers and is open every Saturday 10 am to 4 pm, except during winter. The St. Joe Depot Railroad Museum is an incorporated 501(c)(3) charity. All donations are tax deductible to the extent allowed by law.
#2-10, The Bob Russell quilt pattern was designed by Bob King and painted by Cynthia Garmoe. The block is four feet by four feet and the silhouette is taken from a photo of Bob Russell and his trick horse Danny at the Leslie Homecoming Rodeo in the early 1970’s. He was a true cowboy who would ride his horse to check on his cows almost every day regardless of the weather. Bob learned his cowboy skills from his father in-law John Robert Steen. John Steen was the first (and maybe only) person to do cattle drives from this part of the state to the stock yards in Missouri in the early 1900’s. Bob had a natural ability with horses and soon become a master horseman. In 1950 Bob, his family and several other horse-loving families came together and formed the Searcy County Saddle Club. (The name was later changed to Flintrock Saddle Club as a sign of support for the local strawberry growers.) They soon built an arena in Marshall and on July 4, 1952 the saddle club had its first rodeo with Bob Russell serving as the club’s president. For over three decades Bob Russell trained horses, served in the local saddle club, and worked rodeos throughout Arkansas and Missouri. However, he was most well-known for his trained horse act. Over the years he thrilled rodeo audiences with his first horse, Old Bob and then later with Danny. He always concluded the act by having the horse get up on a small box in the middle of the arena showing his version of James Earl Frasier’s End of the Trail statue found at the National Cowboy & Western Heritage Museum in Oklahoma City. The silhouette on this quilt block represents that image.